Cover of The Essays of Arthur Schopenhauer; the Art of Controversy

The Essays of Arthur Schopenhauer; the Art of Controversy

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  • 38 chapters
  • Reading level: 10th to 12th grade

"The Essays of Arthur Schopenhauer: The Art of Controversy" by Arthur Schopenhauer is a philosophical work likely written in the early 19th century. This compilation of essays discusses the dynamics of dialectic and logic, focusing on the strategies and tactics involved in argumentation and debate. Schopenhauer delves into the nature of controversial discourse, highlighting the psychological aspects underlying human obstinacy in disputes, and how often individuals prioritize winning over the pursuit of truth. At the start of this volume, Schopenhauer presents a detailed examination of logic and dialectic, distinguishing between the two terms and their historical usage. He defines dialectic as the art of disputation, especially in contentious contexts where the aim is to triumph over an opponent rather than to ascertain objective truth. Schopenhauer posits that human nature often drives individuals to cling stubbornly to their positions in debates, as they are motivated by vanity and the fear of being proven wrong. This opening establishes a critical framework for understanding his insights into argumentative tactics and the inherent flaws in human reasoning when engaged in controversy.

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  • Logic
  • Debates and debating

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Chapter I

The Extension.—This consists in carrying your opponent's proposition beyond its natural limits; in giving it as general a signification and as wide a sense as possible, so as to exaggerate it; and, on the other hand, in giving your own proposition as restricted a sense and as narrow limits as you can, because the more general a statement becomes, the more numerous are the objections to which it is open. The defence consists in an accurate statement of the point or essential question at issue.

Example 1.—I asserted that the English were supreme in drama. My opponent attempted to give an instance to the contrary, and replied that it was a well-known fact that in music, and consequently in opera, they could do nothing at all. I repelled the attack by reminding him that music was not included in dramatic art, which covered tragedy and comedy alone. This he knew very well. What he had done was to try to generalise my proposition, so that it would apply to all theatrical representations, and, consequently, to opera and then to music, in order to make certain of defeating me. Contrarily, we may save our proposition by reducing it within narrower limits than we had first intended, if our way of expressing it favours this expedient.

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Contents

Show all 38 chapters
  1. Front Matter
  2. Chapter I
  3. Chapter II
  4. Chapter III
  5. Chapter IV
  6. Chapter V
  7. Chapter VI
  8. Chapter VII
  9. Chapter VIII
  10. Chapter IX
  11. Chapter X
  12. Chapter XL
  13. Chapter XII
  14. Chapter XIII
  15. Chapter XIV
  16. Chapter XV
  17. Chapter XVI
  18. Chapter XVII
  19. Chapter XVIII
  20. Chapter XIX
  21. Chapter XX
  22. Chapter XXI
  23. Chapter XXII
  24. Chapter XXIII
  25. Chapter XXIV
  26. Chapter XXV
  27. Chapter XXVI
  28. Chapter XXVII
  29. Chapter XXVIII
  30. Chapter XXX
  31. Chapter XXXI
  32. Chapter XXXII
  33. Chapter XXXIII
  34. Chapter XXXIV
  35. Chapter XXXV
  36. Chapter XXXVI
  37. Chapter XXXVII
  38. Chapter XXXVIII

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About this edition

This free edition of The Essays of Arthur Schopenhauer; the Art of Controversy by Arthur Schopenhauer comes from Project Gutenberg eBook #10731, released 2004-01-01. It is in the public domain in the United States, so you can read it here in full at no cost, on any phone, tablet or computer. Genre: Essays, Letters & Speeches, Philosophy & Ethics.

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