Cover of Alice, or the Mysteries — Complete

Alice, or the Mysteries — Complete

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  • 10 hours to read
  • 86 chapters
  • Reading level: 8th & 9th grade

"Alice; or, the Mysteries — Complete" by Baron Edward Bulwer Lytton is a novel likely written during the mid-19th century, weaving themes of romance, societal expectations, and personal growth. The story unfolds in a tranquil Devonshire cottage where Lady Vargrave and her daughter Evelyn navigate the complexities of love, duty, and the influence of societal pressures, especially regarding Evelyn's engagement to Lord Vargrave. The opening portion establishes a serene yet contemplative atmosphere, highlighting the relationship between Lady Vargrave and Mrs. Leslie, who discuss the implications of Evelyn's impending marriage and her lack of exposure to the wider world. As the narrative shifts focus to Evelyn, we see her joyful innocence contrasted with an underlying melancholy regarding her mother's past and their relationship. The introduction of Mr. Aubrey, the kind curate, further enriches the narrative by adding depth to Evelyn's character as she grapples with her feelings about love and obligation. This opening sets the stage for themes of emotional struggle and the quest for personal identity against societal expectations, making it an intriguing read for those interested in Victorian-era literature and character-driven stories.

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  • English fiction · 19th century

Read the opening

Chapter I

"Thee, hid the bowering vales amidst, I call."
—EURIPIDES: Hel. I. 1116.

Who art thou, fair one, who usurp'st the place
Of Blanch, the lady of the matchless grace?—LAMB.

IT was towards the evening of a day in early April that two ladies were seated by the open windows of a cottage in Devonshire. The lawn before them was gay with evergreens, relieved by the first few flowers and fresh turf of the reviving spring; and at a distance, through an opening amongst the trees, the sea, blue and tranquil, bounded the view, and contrasted the more confined and home-like features of the scene. It was a spot remote, sequestered, shut out from the business and pleasures of the world; as such it suited the tastes and character of the owner.

That owner was the younger of the ladies seated by the window. You would scarcely have guessed, from her appearance, that she was more than seven or eight and twenty, though she exceeded by four or five years that critical boundary in the life of beauty. Her form was slight and delicate in its proportions, nor was her countenance the less lovely because, from its gentleness and repose (not unmixed with a certain sadness) the coarse and the gay might have thought it wanting in expression. For there is a stillness in the aspect of those who have felt deeply, which deceives the common eye,—as rivers are often alike tranquil and profound, in proportion as they are remote from the springs which agitated and swelled the commencement of their course, and by which their waters are still, though invisibly, supplied.

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Contents

Show all 86 chapters
  1. Book I
  2. Chapter I
  3. Chapter II: Is stormy life preferred to this serene? — -Young: Satires
  4. Chapter III
  5. Chapter IV
  6. Chapter V
  7. Chapter VI: TWO lovely damsels cheer my lonely walk. — Lamb: Album Verses
  8. Chapter VII
  9. Chapter VIII
  10. Chapter IX
  11. Chapter X: Julio. Wilt thou have him? — The Maid in the Mill
  12. Chapter XI
  13. Chapter XII: TOUT notre raisonnement se reduit a ceder au sentiment.* — Pascal
  14. Chapter XIII
  15. Book II
  16. Chapter I
  17. Chapter II
  18. Chapter III
  19. Chapter IV
  20. Chapter V
  21. Chapter VI
  22. Chapter VII: CONTRAHE vela, Et te littoribus cymba propinqua vehat.* — Seneca
  23. Book III: Harsh things he mitigates, and pride subdues. Ex. Solon: Eleg
  24. Chapter I
  25. Chapter II: YOU shall be Horace, and Tibullus I. — Pope
  26. Chapter III: ANIMUM nunc hoc celerem, nunc dividit illuc.* — Virgil
  27. Chapter IV
  28. Chapter V: HOMUNCULI quanti sunt, cum recogito.* — Plautus
  29. Chapter VI
  30. Chapter VII: NIHIL est aliud magnum quam multa minuta.* — Vetus. Auctor
  31. Chapter VIII
  32. Chapter IX
  33. Book IV: "A virtuous woman is man's greatest pride." — Simonides
  34. Chapter I
  35. Chapter II
  36. Chapter III
  37. Chapter IV
  38. Chapter V: SEE how the skilful lover spreads his toils. — Stillingfleet
  39. Chapter VI
  40. Chapter VII
  41. Chapter VIII
  42. Chapter IX
  43. Chapter X: OBSCURIS vera involvens.* — Virgil
  44. Book V
  45. Chapter I
  46. Chapter II
  47. Chapter III
  48. Chapter IV
  49. Chapter V
  50. Chapter VI
  51. Chapter VII
  52. Chapter VIII
  53. Chapter IX: THUS airy Strephon tuned his lyre. — Shenstone
  54. Book VI
  55. Chapter I
  56. Chapter II
  57. Chapter III: COELEBS, quid agam?* — Horace
  58. Chapter IV
  59. Chapter V: INSPICERE tanquam in speculum, in vitas omnium Jubeo.* — Terence
  60. Chapter VI
  61. Book VII: Words of dark import gave suspicion birth. — Potter
  62. Chapter I
  63. Chapter II
  64. Chapter III: THIS is the house, sir. — Love's Pilgrimage, Act iv, sc. 2
  65. Chapter IV
  66. Chapter V: PENDENT opera interrupta.* — Virgil
  67. Chapter VI
  68. Book VIII
  69. Chapter I
  70. Chapter II
  71. Chapter III
  72. Chapter IV: CHAOS of Thought and Passion all confused. — Pope
  73. Chapter V
  74. Chapter VI
  75. Chapter VII
  76. Book IX: "Woe, woe: all things are clear." — Sophocles: Oed. Tyr. 754
  77. Chapter I
  78. Chapter II
  79. Chapter III
  80. Chapter IV
  81. Chapter V
  82. Book X: "A dream!" — Homer, I, 3
  83. Chapter I: QUALIS ubi in lucem coluber ... Mala gramina pastus.* — Virgil
  84. Chapter II
  85. Chapter III: THE weary hours steal on And flaky darkness breaks. — Richard III
  86. Chapter IV
  87. Chapter V: YET once more, O ye laurels! and once more, Ye myrtles! — Lycidas
  88. Chapter VI
  89. Chapter VII
  90. Book XI
  91. Chapter I
  92. Chapter II
  93. Chapter III
  94. Chapter IV: MY noble lord, Your worthy friends do lack you. — Macbeth
  95. Chapter V
  96. Chapter VI: IF we do meet again, why, we shall smile. — Julius Caesar
  97. Chapter VII: SINGULA quaeque locum teneant sortita.* — Horace: Ars Poetica

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About this edition

This free edition of Alice, or the Mysteries — Complete by Edward Bulwer Lytton Lytton comes from Project Gutenberg eBook #9774, released 2004-11-27. It is in the public domain in the United States, so you can read it here in full at no cost, on any phone, tablet or computer. Genre: Romance, Novels, British Literature.

Summary provided by Project Gutenberg (automatically generated).

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