Cover of The Literary Remains of Samuel Taylor Coleridge, Volume 2

The Literary Remains of Samuel Taylor Coleridge, Volume 2

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  • 111 chapters
  • Reading level: 10th to 12th grade

"The Literary Remains of Samuel Taylor Coleridge, Volume 2" by Coleridge is a scholarly collection of essays, lectures, and notes written in the early 19th century. This volume focuses predominantly on the literary critique and analysis of renowned playwrights like Shakespeare, Ben Jonson, and Beaumont and Fletcher, delving into their respective contributions to poetry and drama, as well as offering insights on poetry's essence, form, and function. At the start of this volume, Coleridge presents an extract from a letter in which he reflects on the originality and impact of his previous lectures on Shakespeare, asserting that his unique insights into the interplay of judgment and genius are often overlooked or misattributed. He continues with a detailed exploration of what constitutes poetry, contrasting it with prose and science. Coleridge elaborates on Shakespeare's creative genius, emphasizing the significance of emotional resonance and the role of artistic expression in capturing the complexity of human experiences. As he establishes a framework for understanding literary works, he also critiques the public taste and societal influences that shape perceptions of art, stressing the importance of a critic's reverence and intellectual rigor when approaching the study of great literary figures.

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  • Literature · History and criticism
  • Shakespeare, William, 1564-1616 · Criticism and interpretation

Read the opening

Act v: sc. 2. In Biron's speech to the Princess

—and, therefore, like the eye,
Full of straying shapes, of habits, and of forms.

Either read stray, which I prefer; or throw full back to the preceding lines,—

like the eye, full
Of straying shapes, &c.

In the same scene:

'Biron'. And what to me, my love? and what to me?

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Contents

Show all 111 chapters
  1. Front Matter
  2. Act v: sc. 2. In Biron's speech to the Princess
  3. Act i: sc. 1: 'Her'. O cross! too high to be enthrall'd to low —
  4. Act ii: sc. 1. Theobald's edition: Through bush, through briar — ... Through flood, through fire —
  5. Act v: sc. 1. Theseus' speech: — (Theobald.)
  6. Act I: sc. 1
  7. Act iv: sc. 2
  8. Act I: sc. 1. Duke's speech: —
  9. Act ii: sc. 3. Sir Andrew's speech: —
  10. Act iii: sc. 1
  11. Act v: sc. 1. Clown's speech: —
  12. Act I: sc. 1
  13. Act iii: sc. 5
  14. Act I: sc. 1
  15. Act iii: sc. 1
  16. Act I: sc. 1
  17. Act i: sc. 2. Imogen's speech: —
  18. Act I: sc. 1. Theobald's note
  19. Act v: sc. 2: I think it not improbable that the lines from —
  20. Act iv: sc. 5. Speech of Ulysses: —
  21. Act i: sc. 1. Coriolanus' speech: —
  22. Act ii: sc, 1. Speech of Menenius: —
  23. Act iv: sc. 7. Speech of Aufidius: —
  24. Act I: sc. 1
  25. Act ii: sc. 1. Speech of Brutus: —
  26. Act iii: sc. 1. Antony's speech: —
  27. Act iv: sc. 3. Speech of Brutus: —
  28. Act i: sc. 1. Philo's speech: —
  29. Act ii: sc. 2. Speech of Enobarbus: —
  30. Act I: sc. 1
  31. Act ii: sc. 1. Senator's speech: —
  32. Act iii: sc. 3. Servant's speech: —
  33. Act iv: sc. 2. Timon's speech: — : Raise me this beggar, and deny't that lord. —
  34. Act i: sc. 5
  35. Act ii: sc. 2. The garden Scene
  36. Act iii: sc. 1
  37. Act iv: sc. 3. Juliet's speech: —
  38. Act iii: sc. 2. Speech of Faulconbridge: —
  39. Act i: sc. 1. Bolingbroke's speech: —
  40. Act iii: sc. 3. Bolingbroke's speech: —
  41. Act I: sc. 1. King Henry's speech
  42. Act ii: sc. 1. Second Carrier's speech: — : breeds fleas like a loach
  43. Act iii: sc. 1
  44. Act ii: sc. 2
  45. Act iii: sc. 1. King Henry's speech
  46. Act I: sc. 2. Westmoreland's speech: —
  47. Act iv: sc. 3. K. Henry's speech: —
  48. Act I: sc. 1. Bedford's speech: —
  49. Act i: sc. 1
  50. Act iv: sc. 6. Lear's speech: —
  51. Act i: sc. I
  52. Act ii: sc. 1. Polonius and Reynaldo
  53. Act iii: sc. 1. Hamlet's soliloquy
  54. Act iv: sc. 2
  55. Act ii: sc. 1. Banquo's speech
  56. Act iv: sc. 1
  57. Act i: sc. 1 — 2
  58. Act iii: sc. 2. Paulina's speech
  59. Act iv: sc. 2. Speech of Autolycus: —
  60. Act iii: sc. 3
  61. Act iv: sc. 3
  62. Act v: last Scene. Othello's speech: —
  63. Epilogue
  64. Introduction
  65. Act iv: sc. 3
  66. Act I
  67. Act ii: Speech of Sejanus: —
  68. Act i: sc. 1. Clerimont's speech: —
  69. Act ii: sc. 1
  70. Act I: sc. 2. Face's speech: —
  71. Act ii: sc. 2. Mammon's speech: —
  72. Act i: sc. 4
  73. Act iv: sc. 6. Speech of Cethegus: —
  74. Act ii: sc. 3
  75. Act iii: sc. 4
  76. Act v: sc. 5
  77. Act I: sc. 1
  78. Act IV: sc. 3. Pecunia's speech: —
  79. Act I: sc. 1. Host's speech: — : A heavy purse, and then two turtles, makes. —
  80. Act I: The metrical arrangement is most slovenly throughout
  81. Act ii: Amintor's speech: —
  82. Act IV: Speech of Tigranes: —
  83. Act II: Sir Roger's speech: —
  84. Act i: sc. 1. Rutilio's speech: —
  85. Act I: sc. 2. Charles's speech: —
  86. Act iii: sc. 3. Charles's speech: —
  87. Act iv: sc. 3. Charles's speech: —
  88. Act I: Valentine's speech: —
  89. Act ii: Valentine's speech: — : Of half-a-crown a week for pins and puppets —
  90. Act I: sc. 1. Second Ambassador's speech: —
  91. Act ii: sc. 1. Timon's speech: — : Another of a new way will be look'd at. —
  92. Act IV: Masque of beasts: —
  93. Act III: Old Woman's speech: —
  94. Act I: Speech of Melitus: —
  95. Act I: sc. 1. Dinant's speech: —
  96. Act ii: sc. 2. Claudia's speech: —
  97. Act i: sc. I
  98. Act II: sc. 1. Belleur's speech: —
  99. Act IV: sc. 1. Alphonso's speech: —
  100. Act I: Speech of Seleucus: —
  101. Act ii: Speech of Arcadius: —
  102. Act I: Oldcraft's speech
  103. Act II: Speech of Albertus: —
  104. Act i: sc. 3. Emilia's speech: —
  105. Book xiv: ch. 8
  106. Book xv: ch. 9
  107. Book xvi: ch. 5
  108. Part I: c. 5
  109. Part I: S.1
  110. Part II: s. 1
  111. Book III: c. xiii

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About this edition

This free edition of The Literary Remains of Samuel Taylor Coleridge, Volume 2 by Samuel Taylor Coleridge comes from Project Gutenberg eBook #8533, released 2005-07-01. It is in the public domain in the United States, so you can read it here in full at no cost, on any phone, tablet or computer. Genre: Essays, Letters & Speeches, British Literature.

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