Cover of The Works of William Shakespeare [Cambridge Edition] [Vol. 3 of 9]

The Works of William Shakespeare [Cambridge Edition] [Vol. 3 of 9]

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  • 9 hours to read
  • 128 chapters
  • Reading level: 5th grade

"The Works of William Shakespeare [Cambridge Edition] [Vol. 3 of 9]" by Shakespeare is a collection of plays written in the early 17th century. This volume includes prominent works such as "The Taming of the Shrew," "All's Well That Ends Well," "Twelfth Night; or, What You Will," and "The Winter's Tale," showcasing Shakespeare's mastery in comedy and drama. The likely topics revolve around themes of love, power dynamics in relationships, and societal expectations, along with richly drawn characters who navigate the complexities of courtship and familial duty. At the start of the volume, the opening scenes of "The Taming of the Shrew" introduce Christopher Sly, a drunken tinker who is the subject of a playful ruse by a lord and his servants, who seek to convince him that he is, in fact, a nobleman. This leads into the main narrative that focuses on the tempestuous relationship between Petruchio and Katharina, highlighting their initial conflicts and fiery exchanges. Meanwhile, Lucentio arrives in Padua, infatuated with Katharina's sister Bianca, setting the stage for a web of courtship entanglements influenced by the shrewish elder sister and her suitors. The juxtaposition of Sly’s comedic predicament and the serious romantic pursuits establishes a fascinating interplay between class, gender roles, and the dynamics of love.

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  • English drama

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Scene I: Before an alehouse on a heath: Enter HOSTESS and SLY

Sly. I'll pheeze you, in faith.

Host. A pair of stocks, you rogue!

Sly. Y'are a baggage: the Slys are no rogues; look in
the chronicles; we came in with Richard Conqueror. Therefore
paucas pallabris; let the world slide: sessa! 5

Host. You will not pay for the glasses you have burst?

Sly. No, not a denier. Go by, Jeronimy: go to thy
cold bed, and warm thee.

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Contents

Show all 128 chapters
  1. Preface
  2. Scene I: Before an alehouse on a heath: Enter HOSTESS and SLY
  3. Scene II: A bedchamber in the Lord's house
  4. Scene I: Padua. A public place: Enter LUCENTIO and his man TRANIO
  5. Scene II: Padua. Before HORTENSIO'S house: Enter PETRUCHIO and his man GRUMIO
  6. Scene I: Padua. A room in BAPTISTA'S house: Enter KATHARINA and BIANCA
  7. Scene I: Padua. BAPTISTA'S house: Enter Lucentio, Hortensio, and Bianca
  8. Act III: Scene I.] Actus Tertia. F1 Q. Actus Tertius. F2 F3: F4. Act II. Scene II. Capell
  9. Scene II: Padua. Before BAPTISTA'S house
  10. Scene II.] Pope. Act III. Scene I. Capell
  11. Scene I: PETRUCHIO'S country house: Enter GRUMIO
  12. Act IV: Scene I.] Pope
  13. Scene II: Padua. Before BAPTISTA'S house: Enter TRANIO and HORTENSIO
  14. Scene II.] Steevens. Act V. Scene I. Pope. Scene IV: Hanmer. Act IV. Scene I. Capell. See note (XVIII)
  15. Scene III: A room in PETRUCHIO'S house: Enter KATHARINA and GRUMIO
  16. Scene IV: Padua. Before BAPTISTA'S house: Enter TRANIO, and the Pedant dressed like VINCENTIO
  17. Scene V: A public road
  18. Act V: Scene VI. Pope. Act V. Scene VIII. Hanmer. Act IV. Scene XIII: Warburton
  19. Scene I: Padua. Before LUCENTIO'S house: GREMIO discovered. Enter behind BIONDELLO, LUCENTIO, and BIANCA
  20. Scene II: Padua. LUCENTIO'S house
  21. Scene II.] Steevens. Actus Quintus. F1 Q F2 F3. Scene: Quarta. F4. Act V. Scene I. Rowe. Scene IV. Warburton. Scene III. Capell
  22. Scene I: Rousillon. The Count's palace
  23. Act I: Scene I.] Actus Primus. Scæna Prima. Ff
  24. Scene II: Paris. The KING'S palace
  25. Scene II.] Capell. Scene V. Pope
  26. Scene III: Rousillon. The COUNT'S palace
  27. Scene III.] Scene VI. Pope
  28. Scene I: Paris. The KING'S palace
  29. Act II.] Actus Secundus. Ff (Sæcundus F2)
  30. Scene II: Rousillon. The COUNT'S palace: Enter COUNTESS and CLOWN
  31. Scene II.] Scene IV. Pope: [1. Count.] Lady. Ff (and Lady. or La. throughout the Scene)
  32. Scene III: Paris. The KING'S palace: Enter Bertram, Lafeu, and Parolles
  33. Scene III.] Scene V. Pope: [1] Laf.] Ol. Laf. Ff (and throughout the Scene)
  34. Scene IV: Paris. The King's Palace: Enter HELENA and CLOWN
  35. Scene IV.] Scene IX. Pope
  36. Scene V: Paris. The Kings Palace: Enter LAFEU and BERTRAM
  37. Scene V.] Scene X. Pope
  38. Scene I: Florence. The DUKE'S palace
  39. Scene II: Rousillon. The COUNT'S Palace: Enter COUNTESS and CLOWN
  40. Scene III: Florence. Before the DUKE'S palace
  41. Scene IV: Rousillon. The COUNT'S palace: Enter COUNTESS and STEWARD
  42. Scene IV..] Scene VI. Pope
  43. Scene V: Florence. Without the walls. A tucket afar off
  44. Scene V.] Scene VII. Pope
  45. Scene VI: Camp before Florence
  46. Scene VI.] Scene IX. Pope
  47. Scene VII: Florence. The Widow's house
  48. Scene VII.] Scene XII. Pope
  49. Scene I: Without the Florentine camp
  50. Scene I: Without....] Capell. Continues in Florence. Pope. Part of the: French camp in Florence. Theobald
  51. Scene II: Florence. The Widow's house: Enter BERTRAM and DIANA
  52. Scene III: The Florentine camp
  53. Scene IV: Florence. The Widow's house: Enter HELENA, Widow, and DIANA
  54. Scene IV.] Scene VII. Pope: [3] 'fore] for F1
  55. Scene V: Rousillon. The COUNT'S palace
  56. Scene V.] Scene VIII. Pope
  57. Scene I: Marseilles. A street
  58. Scene II: Rousillon. Before the COUNT'S palace: Enter Clown, and PAROLLES, following
  59. Scene II: Before ... palace.] Edd. Inner-court of the palace. Capell: following.] Capell. ill-favoured. Collier MS
  60. Scene III: Rousillon. The COUNT'S palace
  61. Scene III: The Count's palace.] A Room of State in the Palace. Capell
  62. Scene IV: Pope
  63. Epilogue
  64. Scene I: An apartment in the DUKE'S palace: Enter DUKE, CURIO, and other Lords; Musicians attending
  65. Scene II: The sea-coast
  66. Scene II.: The sea-coast] Capell. The street. Rowe
  67. Scene III: OLIVIA'S house: Enter Sir TOBY BELCH and MARIA
  68. Scene III.: OLIVIA'S house.] Rowe
  69. Scene IV: The DUKE'S palace: Enter VALENTINE, and VIOLA in man's attire
  70. Scene IV.] Scene V. Pope
  71. Scene V: OLIVIA'S house: Enter MARIA and CLOWN
  72. Scene V.] Scene VI. Pope
  73. Scene I: The sea-coast: Enter Antonio and Sebastian
  74. Scene I: The sea-coast.] Capell. The street. Rowe: [1, 2] longer? ... with you?] longer: ... with you. F
  75. Scene II: A street: Enter VIOLA, MALVOLIO following
  76. Scene II: Enter....] Enter V. and M. at severall doores. Ff
  77. Scene III: OLIVIA'S house: Enter Sir Toby and Sir Andrew
  78. Scene III: OLIVIA'S house.] Rowe: [2] diluculo] Rowe. Deliculo F1. Diliculo F2 F3 F4
  79. Scene IV: The DUKE'S palace: Enter DUKE, VIOLA, CURIO, and others
  80. Scene IV.] Scene V. Pope
  81. Scene V: OLIVIA'S garden: Enter Sir Toby, Sir Andrew, and Fabian
  82. Scene V.] Scene VII. Pope
  83. Scene I: OLIVIA'S garden: Enter VIOLA, and Clown with a tabor
  84. Scene III: Pope
  85. Scene II: OLIVIA'S house: Enter Sir Toby, Sir Andrew, and Fabian
  86. Scene II.] Scene IV. Pope
  87. Scene III: A street: Enter Sebastian and Antonio
  88. Scene III.] Scene VI. Pope
  89. Scene IV: OLIVIA'S garden: Enter OLIVIA and MARIA
  90. Scene IV.] Scene VII. Pope
  91. Scene I: Before OLIVIA'S house
  92. Scene I: Before....] The street before.... Capell. The street. Rowe: om. Ff
  93. Scene II: OLIVIA'S house: Enter MARIA and CLOWN
  94. Scene II.] Scene III. Pope
  95. Scene III: OLIVIA'S garden: Enter Sebastian
  96. Scene III.] Scene V. Pope
  97. Scene I: Before OLIVIA'S house: Enter Clown and FABIAN
  98. Scene I: Antechamber in LEONTES' palace: Enter Camillo and Archidamus
  99. Scene I: Antechamber....] Theobald. A Palace. Rowe: [1] Bohemia] Bithynia Hanmer (and throughout)
  100. Scene II: A room of state in the same
  101. Scene II: A room....] Capell. Scene opens to the Presence. Theobald
  102. Scene IV: Pope: [365] My] Me F2
  103. Scene I: A room in LEONTES' palace
  104. Scene I: A room....] The Palace. Theobald. The Scene continues. Pope
  105. Scene II: A prison
  106. Scene III: A room in LEONTES' palace
  107. Scene III.] Scene IV. Pope
  108. Scene I: A sea-port in Sicilia: Enter CLEOMENES and DION
  109. Act III: Scene I.] Act II. Scene IV. Theobald conj
  110. Scene II: A court of Justice
  111. Scene II: A court....] Scene represents a Court of Justice. Theobald.]
  112. Scene III: Bohemia. A desert country near the sea
  113. Scene III.] Scene VI. Pope
  114. Act IV: Scene I
  115. Act IV: Scene I] Actus Quartus, Scena Prima. Ff. om. Warburton. Act: IV. Capell. See note (XII)
  116. Scene II: Bohemia. The palace of POLIXENES: Enter Polixenes and Camillo
  117. Scene II.] Scena Secunda. Ff
  118. Scene III: A road near the Shepherd's cottage: Enter AUTOLYCUS, singing
  119. Scene III.] Scena Tertia. Ff. Scene II. Warburton
  120. Scene IV: The Shepherd's cottage: Enter FLORIZEL and PERDITA
  121. Scene IV.] Scene III. Capell
  122. Scene VIII: Pope
  123. Scene I: A room in LEONTES' palace: Enter LEONTES, CLEOMENES, DION, PAULINA, and Servants
  124. Scene I: A room....] Capell
  125. Scene II: Before LEONTES' palace
  126. Scene II.] Scene V. Pope
  127. Scene III: A chapel in PAULINA'S house
  128. Scene III.] Scene VII. Pope

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About this edition

This free edition of The Works of William Shakespeare [Cambridge Edition] [Vol. 3 of 9] by William Shakespeare comes from Project Gutenberg eBook #50559, released 2015-11-27. It is in the public domain in the United States, so you can read it here in full at no cost, on any phone, tablet or computer. Genre: Plays/Films/Dramas, Classics of Literature, British Literature.

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