Cover of The Judgment House

The Judgment House

  • Free to read
  • 10 hours to read
  • 40 chapters
  • Reading level: 7th grade

"The Judgment House" by Gilbert Parker is a fictional novel likely written in the late 19th century. The story intricately weaves themes of ambition, passion, and social dynamics through the lives of its central characters, particularly focusing on Jasmine Grenfel and Rudyard Byng. As they navigate relationships and societal expectations, the narrative promises a rich exploration of human motivations against a backdrop of artistic and political challenges. At the start of the novel, we are introduced to a vibrant scene at Covent Garden, where the debutante Al'mah captivates the audience with her powerful singing. Among the spectators are Adrian Fellowes, who appears self-satisfied and calculating; Ian Stafford, romantically drawn to Jasmine Grenfel; and Jasmine herself, who is torn between her feelings for Stafford and the allure of Rudyard Byng, a wealthy South African with a magnetic presence. The opera's climax is disrupted when Al'mah catches fire, leading to a dramatic intervention by Byng, which further entwines the lives of the characters. This opening sets up a narrative filled with ambitious pursuits, personal conflicts, and looming societal tensions in which these characters must navigate their desires and decisions.

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  • South African War, 1899-1902
  • Married people
  • Triangles (Interpersonal relations)
  • Man-woman relationships

Read the opening

Chapter I

THE JASMINE FLOWER

The music throbbed in a voice of singular and delicate power; the air was resonant with melody, love and pain. The meanest Italian in the gallery far up beneath the ceiling, the most exalted of the land in the boxes and the stalls, leaned indulgently forward, to be swept by this sweet storm of song. They yielded themselves utterly to the power of the triumphant debutante who was making "Manassa" the musical feast of the year, renewing to Covent Garden a reputation which recent lack of enterprise had somewhat forfeited.

Yet, apparently, not all the vast audience were hypnotized by the unknown and unheralded singer, whose stage name was Al'mah. At the moment of the opera's supreme appeal the eyes of three people at least were not in the thraldom of the singer. Seated at the end of the first row of the stalls was a fair, slim, graciously attired man of about thirty, who, turning in his seat so that nearly the whole house was in his circle of vision, stroked his golden moustache, and ran his eyes over the thousands of faces with a smile of pride and satisfaction which in a less handsome man would have been almost a leer. His name was Adrian Fellowes.

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Contents

Show all 40 chapters
  1. Front Matter
  2. Book I
  3. Chapter I
  4. Chapter II
  5. Chapter III
  6. Chapter IV
  7. Chapter V
  8. Chapter VI
  9. Book II
  10. Chapter VII
  11. Chapter VIII: "He Shall Not Treat Me So"
  12. Chapter IX
  13. Chapter X
  14. Chapter XI
  15. Chapter XII
  16. Chapter XIII: "I Will Not Sing"
  17. Chapter XIV
  18. Book III
  19. Chapter XV
  20. Chapter XVI
  21. Chapter XVII
  22. Chapter XVIII
  23. Chapter XIX
  24. Chapter XX
  25. Chapter XXI
  26. Chapter XXII
  27. Chapter XXIII: "More Was Lost at Mohacksfield"
  28. Chapter XXIV
  29. Chapter XXV
  30. Chapter XXVI
  31. Chapter XXVII
  32. Chapter XXVIII: "The Battle Cry of Freedom"
  33. Book IV
  34. Chapter XXIX
  35. Chapter XXX: "And Never the Twain Shall Meet!"
  36. Chapter XXXI
  37. Chapter XXXII
  38. Chapter XXXIII: "Alamachtig!"
  39. Chapter XXXIV: "The Alpine Fellow"
  40. Chapter XXXV
  41. Chapter XXXVI
  42. Chapter XXXVII
  43. Chapter XXXVIII: "Pheidippides"
  44. Chapter XXXIX: "The Road Is Clear"

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About this edition

This free edition of The Judgment House by Gilbert Parker comes from Project Gutenberg eBook #3746, released 2003-02-01. It is in the public domain in the United States, so you can read it here in full at no cost, on any phone, tablet or computer. Genre: Novels.

Summary provided by Project Gutenberg (automatically generated).

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